Rituals and Resonances - Alex Ho (2018)
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Rituals and Resonances is a composition for solo yangqin, written by Alex Ho and premiered by Reylon Yount. It was recorded at Abbey Road Studios in February 2018 and premiered at Passiontide Festival, Oxford, in March 2018.
Rituals and Resonances has been featured on the British Music Collection's '50 Things', a series that "offers a bold new perspective on the recent history of new music in the UK", and Oxford University's 'Race and Resistance' programme that "brings together researchers, students, and activists in the history, literature, and culture of anti-racist movements across the modern world." |
A primary impetus behind this work was a consideration of the dislocation between cultural identity and heritage that may affect those born outside their place of origin. This can be thought of as a paradoxical sense of nostalgia – a longing for a past transcending a purely temporal notion and encompassing also a culture that simply did not exist for its subject. Of course, such an anxiety is arguably only perpetuated as long as one thinks about it, yet it may manifest itself as clearly as being unable to communicate with one’s grandparents due to a lack of a shared language.
Rituals and Resonances attempts to engage with this idea, and takes as its musical framework an exploration of the relationship between sound and its resonance. Just as one does not have (or need) control over their heritage and origins, a sound may include resonances far removed from its initial perception that although appear incongruous, are in fact quintessential to its being. Indeed, the yangqin itself is distinct to Western string instruments in its non-linear and inconsistent distribution of pitches, and so much of the writing of this piece is informed by the geographical layout of the instrument. The desire to compose idiomatically for an unfamiliar instrument was most challenging and to some extent undoubtedly futile, but equally it seems there is some value in acknowledging the challenge and contemplating its significance. In this way, nostalgia is similarly paradoxical, for in the words of Marta Caminero-Santangelo, “it is not lost at all, [but instead] the only culture shaping the person's perspective”.
The piece is dedicated to Reylon Yount and my grandparents.
Reylon Yount - Yangqin
Shez Manzoor & Balazs Szabo - Producers
Notes written by Alex Ho
Rituals and Resonances attempts to engage with this idea, and takes as its musical framework an exploration of the relationship between sound and its resonance. Just as one does not have (or need) control over their heritage and origins, a sound may include resonances far removed from its initial perception that although appear incongruous, are in fact quintessential to its being. Indeed, the yangqin itself is distinct to Western string instruments in its non-linear and inconsistent distribution of pitches, and so much of the writing of this piece is informed by the geographical layout of the instrument. The desire to compose idiomatically for an unfamiliar instrument was most challenging and to some extent undoubtedly futile, but equally it seems there is some value in acknowledging the challenge and contemplating its significance. In this way, nostalgia is similarly paradoxical, for in the words of Marta Caminero-Santangelo, “it is not lost at all, [but instead] the only culture shaping the person's perspective”.
The piece is dedicated to Reylon Yount and my grandparents.
Reylon Yount - Yangqin
Shez Manzoor & Balazs Szabo - Producers
Notes written by Alex Ho
